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Picking up life from where I left
Writing articles for this blog is the first thing that disappears from my
radar when life becomes too demanding and leaves me absolutely frazzled! I have
barely written on this blog, mostly due to pressures on my
time and energy.
And then there are moments of self doubt. "I
have lost touch" I tell myself staring blankly at the screen while words
jumble in my mind teasingly!
“What do I write about?” I’m shocked at my own self
for having that question in first place as there are so many things I wish
to write about (and believe me, I often end up writing articles in my mind while doing
some random work at the oddest place and time).
Rendezvous with real fashionistas on the road!
Last month, we went for a long due pilgrimage at hubby’s native in Gujarat. It was a hot day and we were getting weary by the scorching heat; irritated and hungry, searching for a decent place for lunch that seemed like impossible dream. Only respite was view from the car; tiny little hamlets here and there, a pond or two with buffalos enjoying blissful siesta with sage like calm, fresh crops in the fields and birds!
The drive was getting
too long and I was on verge of dozing off when I spotted this group of
beautiful women; unskilled labourers heading for their work unperturbed by the ruthless
Sun. I asked the driver to stop the car a few meters ahead and waited for this
group to arrive. My first few shots were candid but the moment they noticed me
with the big camera, they were intimidated and that’s when I introduced myself
in their language, Gujarati. It helped to break ice.
Between the obviously
irritated calls from my hubby and son and my fervent pleading to them to
tolerate my madness, I was granted a few minutes. The ladies were in hurry to
reach their work so I had to walk (run) with them as we interacted.
These women do “maatikaam”
on construction sites. Conferred upon by the responsibilities of looking after
children, home and work, they are subjected to struggle between long work hours,
poor pay, dangerous and unsanitary conditions.
They were gentle in
conversation yet feisty, their dusty hands and feet; evidence of hardship they
put up with everyday and their genuine loud laughter, high pitched clamour stole
piece of my heart!
Each
lady from the group posed willingly albeit pleasantly surprised that an
educated “madam” should be interested in their " dirty clothes and life in general! For those few moments of
my interaction with them, world ceased to exist for me. I instantly fell in love with their inner beauty that
seeks no
understanding and needs no definition in a confining language!
I’m
not sure if I could capture their beauty and elegance in folds and layers of
their stunning attires. These barely literate women, their sense of style and beautiful
attires floored me! The sarees they wear are more like “dupattas” for urban
women, the combination of their clothes, simply mind blowing and the elan with
which they carry themselves can give run to any professional stylist and model
run for her money. For me, women like them are true fashionistas!
Have
you ever experienced unfiltered beauty and love that catches you completely off
guard and you are so moved by sheer joy that makes your eyes brim with tears?
I
returned to the car after interacting with these lovely ladies, overwhelmed by sheer
joy of my encounter with raw, genuine souls. It felt like having experienced yet
another pilgrimage!
The ME to WE, at "A hundred hands" exhibition !
An Art and handicraft lover like me always gets spoilt for choices in a city like Bombay that is known for its exuberant Art scene.
One notable exhibition I recently attended was the second edition of “A hundred hands”; an NGO from Banglore, a handmade collective, that provides a platform for handicraft artists and educates them in enhancing their products and encourage them to understand contemporary styles and compete with global products.
Indian handicrafts is a very vast realm when it comes to writing about it! Millions of Indians still depend on indigenous modes of production, traditional skills and techniques to make a living based on handmade products.
Traditional handicrafts are unique expressions of a culture or community through local craftsmanship and materials. With increased globalization however, products are becoming more and more commercialized and artisans find their products competing with goods from all over the world and that is precisely the reason, NGOs like "A hundred hands" play a major role in helping the artist carry forward legacy of their land and its culture, myth, and religion in their art practices.
Traditional arts define the true identity of a civilization. In India, handicraft and its artisans were highly regarded and duly rewarded until the outbreak of 19th-century industrialization . Unfortunately, one of the challenges the Indian handicraft industry faces today is that our markets do not recognize the true value of craft and this trend has led a large number of artisans to move to urban centers in search of low, unskilled employment. While crafts received royal and aristocratic patronage during pre-independence days, the sector presently carries the stigma of inferiority and backwardness and is viewed as decorative, peripheral, and elitist despite being the second-largest source of employment!
"From me to we" is an initiative of"A hundred hands" that provides a boost to hundreds of artisans by building a network of artisans, empowering, encouraging, and helping them sustain the revival of their crafts without losing its ethos.
Here are some snippets from the exhibition that showcased stunningly beautiful art with its complex, colorful, simple yet captivating raw charm and the immensely gifted artists who were such delight to meet with!
Wooden blocks used for traditional block printing
Block printed newspapers that can be used as gift packs or book covers!
Bags made from recycled denims; cool, contemporary and recycled
Mustak, third generation from the renowned Khatri family associated with dying art of "Ajarakh"
The ancient Art form Sanjhi from Mathura
National (president) award winner, Patta chitra Artist Akshaya Kumar Bariki, showcasing his work and singing folk songs that narrate story of the painting!
Bags made with banana fibres
Nandan and his colleague from Aarohana keenly show the presentation on laptop on how plastic is dangerous for environment
Artistic combs made with ebony wood
Necklace made with lacquer
Card holders made with tyre tubes
Wooden blocks used for traditional block printing |
Block printed newspapers that can be used as gift packs or book covers! |
Bags made from recycled denims; cool, contemporary and recycled |
Mustak, third generation from the renowned Khatri family associated with dying art of "Ajarakh" |
The ancient Art form Sanjhi from Mathura |
National (president) award winner, Patta chitra Artist Akshaya Kumar Bariki, showcasing his work and singing folk songs that narrate story of the painting! |
Bags made with banana fibres |
Nandan and his colleague from Aarohana keenly show the presentation on laptop on how plastic is dangerous for environment |
Artistic combs made with ebony wood |
Necklace made with lacquer |
Card holders made with tyre tubes |
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